projects

sculpture (2025) “the body as material” considers the body, like textiles, a porous, and impressionable entity. Composed of found material, this work considers the way that our environments impress upon and influence us. It explores the ability of textiles and material to mimic the body through it’s knotted connected-ness, its folds, flexibility, and suppleness.

sculpture (2024) “Palimpsest” is a kinetic sculpture that explores what influences and responsibilities we have to our environments, communities and futures. It was produced with the support of Creative Scotland.

A kinetic motion affecting layers of textiles creates different “skins of impressions,” representing how one event can affect individuals, communities and different parts of our self differently.

sculpture (2024) “Like tree branches like broccoli like veins like hair like coral like Spinoza’s Ethics like rhizomatic theory like dew on ferns like sugar grains like grains of sand like lightning like kelp like lungs like dew drops,” 2024

installation (2024) “what connects us, strawberry laces, reconstituted space” (paper, yarn)

sculpture / installation (2022) “Bayswater & 3rd” commissioned by Aberdeen Performing Arts, and created in collaboration with Ray Downie and Patrick Mackenzie-Smith

… inside a built shelter, set on the corner of Bayswater and 3rd Ave., plants dominate the space. Impinging on our belief in mastery and domination over our environments, this immserive installation invites audiences to experience their participation in environments as a relationship that is reciprocal …

https://www.aberdeenperformingarts.com/whats-on/wonderland-bayswater-3rd/